"Whatever People Say I Am, That's What I'm Not" (Domino), has been instantly -- and accurately -- hailed as a modern classic, even though it was only released a week ago. The British music magazine NME ranked it at No. 5 on a recent list of the greatest British albums ever.
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The other day I grabbed issue #4 of Optic Nerve, an indie comic put out by Drawn & Quarterly. It's a graphic novella about a twenty-six year-old writer whose first novel was a decent success, but he finds when he's trying to write the follow-up, that he has nothing left to say.
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And that's just where I am, at least creatively. All of the three books I've started after The Cranberry Hush have been Hush-lite. My favorite author, John Steinbeck, said that there's only one book to a man, and that everything before it is practice. That's fine, but what happens if that one great book is the first one? What if the Arctic Monkeys said all they had to say with their first album?
The strategy of Martin, mentioned above, was to subconsciously (or maybe consciously) start creating drama in his life, in order to get material for a new book. It doesn't say how long it's going to take him to amass enough experience for that new book; all we know is that is costs him his relationship. I'm not about to go sabotaging my life. I just wish there was more I could wring out of the past.
1 comment:
Maybe I'll kidnap you, or leave a baby on your doorstep or something. :)
I have considered creating drama in my own life to have something to write about, or at least, something new to think about. But I think I have a decent amount of drama anyway, for starters. And most importantly, I would never have the guts to sabotage just for writing ideas.
I think you should write a letter or email to that author of that graphic novel. Any contact info on there?
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